Cinema Romantico

Last week, America’s third most prominent idiot son announced that in the wake of Paramount Skydance acquiring Warner Bros. Discovery that ...

1953’s “The Wages of Fear” beget 1977’s “Sorcerer,” both adapted from Georges Arnaud’s 1950 novel in which hardscrabble men are paid to tra...

Seijun Suzuki’s monochrome “Take Aim at the Police Van” belongs to a post-war Japanese genre of film known as borderless action, blurring ge...

We are a movie blog, of course, first and generally foremost, and half-performatively, half-seriously contend that television is an inferior...

Na Hong-jin’s two-hour-and forty minute sci-fi action-thriller “Hope” begins not with a slow build but a cold plunge, as if “Jaws” immediate...

When a teenage Japanese rock band calling itself Paranmaum loses both its singer and guitarist with three days before the Shiba High Holly F...

Set in present-day New York, the resurgent celebrity of director Kent Jones’s “Late Fame” is Ed Saxberger (Willem Dafoe), a one-time poet of...