Tomorrow, of course, "Independence Day Resurgence", the long-gestating sequel to Roland Emmerich and Dean Devlin's Kansas Corn cinematic faux-classic "Independence Day" (or ID4 for the marketing gurus), is finally set to drop after a twenty year wait. I'm so excited, even if the buzz on it has suddenly plummeted toward Ice Age temperatures.
Hey, speaking of the Ice Age, I briefly considered returning to this blog's beloved (is that the right word?) tradition of posting "Independence Day" reaction shots to celebrate its sequel's release. But then I figured, maybe you, my faithful, frustrated readers are tired of "Independence Day" reaction shots. And fair enough. So here are some other Emmerich-ish reaction shots from his 2004 eco-disaster extravaganza "The Day After Tomorrow" in which the Ice Age returns.
Emmerich-ized Reaction Shot Extravaganza
This is a standard-issue reaction shot to kick us off, but also important to note because it's about as reaction-y as our leading man, Jake Gyllenhaal, ever gets. He's nothing if not a serious actor and I can only imagine Mr. Emmerich counciling Gyllenhaal on Day 1 about the need for reaction shots, like this scene where he's staring up at fleeing CGI birds (along with Emmy Rossum, who goes for heightened curiosity), and Gyllenhaal nodding and then getting back to his dressing room and thinking to himself "Like hell I will" and then deciding to make every one of his reactions impassive. And Emmerich thinking why can't Gyllenhaal be more like.........
Or like the great Ian Holm who, in this frame, demonstrates how a mere raising of the eyebrows can communicate so much ominousness.
Not, however, like the Dude on the Left who seems to have mis-interpreted "The Day After Tomorrow" as a wacky comedy.
The official facial expression, I imagine, of all President Blake's cabinet meetings.
I like this one for the woman in the background as she listens to the Supposed-To-Be Dick Cheney Vice President blather angrily and wrongly about everything. She's kind of twisting her lip, just a little, an expression that seems to suggest she's thinking more about lunch.
Props to the librarian still taking questions at the reference desk in the immediate aftermath of a tidal wave that leveled New York.
Props to Gordon Masten who turns up for a single scene as "New York Bus Driver" solely to get wiped out by the massive tidal wave and still manages to wring genuine emotion out of the brief moment when he realizes this is it.
Ah yes. The classic Look At The Phone After The Phone Line Just Forebodingly Went Dead reaction shot. Bravo, Holm.
Emmy Rossum and Arjay Smith have just seen The Four Horsemen of the Apocalypse; Jake Gyllenhaal has just seen the invisible oracle Uyulala.
They've all just seen Katy Perry ride by on a mechanized wooly mammoth.