The Rooney Mara Bandwagon rolls on. |
This is an image of an Academy Member who wrote to tell us he would not be voting for Rooney Mara. |
Is she a fanboy's fantasy? Probably. Maybe even positively. But hey, Lisbeth Salander is not my fantasy (my fantasy is Malin Akerman in fashionable boots dancing badly to Yelle at Coachella - I'm just a hipster doofus, not a hipster fanboy) and I didn't form The Rooney Mara Bandwagon because she's like a ninja that attended the Ramona Flowers School. I formed The Bandwagon because of the way Rooney Mara...
1. Graphically wipes her nose on her sleeve on the elevator as she disembarks to go spew gathered information to her employers. This half-second sets the table for her character better than any 2,200 sentences Stieg Larsson could have written. It was the single finest bit of actorly characterization in a movie in 2011.
2. Displays hilariously utter confusion (and minor anger) at the extroverted audacity of Mikael to barge into her apartment and try to - gasp! - decently offer her coffee and a muffin.
3. Releases that shriek in the subway after she's beaten up the moron who has thieved her laptop. Yes, she overtly declares herself as "insane" because the scripted dialogue tells her to but the terrifying release contained in this shriek tells us the same thing.
4. Reacts when the sadistic lawyer of her estate gets up from his chair and comes around to the front of his desk. What follows is, as we know, several shades of pale beyond graphic and yet this reaction, this little recoil that says "Please be wary of my personal space" is more graphic than any of that souped-up awfulness to follow.
5. The detached way she tosses the gift-wrapped jacket for her new "friend" in the trash can when she sees her new "friend" with his lady friend. As if she was expecting this to happen all along.
And thinking about that last one makes me realize Lisbeth Salander wouldn't want that piddly dink Academy Award anyway. If she won, she'd probably just toss it in the trash and ride off into the dark of the moon, The Pride Of The Introverts. And that's how The Rooney Mara Bandwagon would want it. We're the rare fanbase that knows it would be more in character for her not to win and for her not to give a big speech. All we really want is during Billy Crystal's flop sweat drenched opening monologue for her to stand up, declare "You really need to learn to stop talking" and then walk out.
That's our gal.
2 comments:
Cutting - and that's not just what she gets up to when a bit pissed off.
Funny stuff, Nick.
Colin
Thank you, my friend. If only I actually was at a Hollywood parking lot leading Rooney supporters in chants right now.
Post a Comment